Just
two tracks here really do anything different or worthwhile, and those are the
songs “Mr. Bitterness” and “St. Louise Is Listening.” The former makes the song
something different and more mysterious with an acoustic guitar treatment, and the
latter cranks up the intensity with Doughty’s vocal, which adds a portentous
tone different than the original.
The
new version of “Super Bon Bon,” the song that first turned me on to Soul
Coughing, is really disappointing, wrecked utterly by a needless and
unnecessary chattering background vocal effect that Doughty has added here –
even without that and/or without the original arrangement, this version would
still seem flat.
I
like both Soul Coughing and Doughty’s solo work, but Doughty said in his memoir
“The Book of Drugs” and elsewhere that the Soul Coughing recordings aren’t how
he envisioned those songs as the main author of them. If that’s so, and this is
how he imagined the sound of these songs, then he really gained something
better from those collaborators, even if they never got along.
It’s
possible these versions could somehow grow on me over time – the enunciation of
the words is in some cases clearer – but that alone isn’t enough, and sometimes
overall sound and production is more important to great music. It’s not like
Doughty can’t or doesn’t do that in his solo work – check out a short track
like “More Bacon Than The Pan Can Handle” or for that matter, “Golden
Delicious,” the album it’s on. It just appears that in revisiting the Soul
Coughing songs he couldn’t help but let his conflicted feelings about that time
hamper the work. There are countless creative things he could have done with
those songs that weren’t attempted.
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